New World Order is a behind the scenes look at the underground anti-globalist movement. This growing movement targets the annual Bilderberg conference, and the 9/11 attacks as focal points in the alleged global conspiracy. 　　Alex Jones, a celebrity radio host, and underground cult hero, is the main character of the film. The film chronicles Alex (of Waking Life and A Scanner Darkly), and four other conspiracy theorists, on their ceaseless quests to expose the 'massive global conspiracy' that they believe threatens the future of humanity.

New World Order is a behind the scenes look at the underground anti-globalist movement. This growing movement targets the annual Bilderberg conference, and the 9/11 attacks as focal points in the alleged global conspiracy. 　　Alex Jones, a celebrity radio host, and underground cult hero, is the main character of the film. The film chronicles Alex (of Waking Life and A Scanner Darkly), and four other conspiracy theorists, on their ceaseless quests to expose the 'massive global conspiracy' that they believe threatens the future of humanity.

A surrealist satire describing the power that is used to dehumanise and deny individual liberties in the name of order and the common good.

A surrealist satire describing the power that is used to dehumanise and deny individual liberties in the name of order and the common good.

某日，日本雾弥湖的上空出现了谜样的圆盘，一度造成全世界的混乱与恐慌。但飞碟却只是停留在空中，并没有进一步的行动。随着时间流逝，人们渐渐对这件事失去了兴趣...... 两名少女相遇之后，静止的时间再次流动，让众人有所改变的全新故事展开了。在中学生活的最后一年，她们将拥有一生无法忘怀的回忆。

Description: 'Un metteur en ordre: Robert Bresson' is from a 1966 French television broadcast of 'Pour le Plaisir', a cultural television program. The phrase 'Un metteur en ordre' translates loosely to 'An Imposer of Order'. When you watch the program, you'll see that its title comes from the filmmaker's response to the interviewer's question: 'What's Robert Bresson's profession?' 　　This episode concentrates on 'Au Hasard Balthazar' and includes interviews with Robert Bresson, Jean-Luc Godard, Louis Malle, and members of the film's cast. Bresson explains the origin of the film's title, while his contemporaries describe their reactions to the film. Several extensive clips from the film are presented, after which Bresson and his cast members offer their opinions of the meaning or consequences of those scenes. 　　The heart of the program is an interview with Bresson, during which he talks specifically about this film. He also gives his ideas on filmmaking in general. For example, here's how he wants his performers to learn their dialogue: 'I ask them to learn their lines ignoring their meaning, as if they didn't have a meaning, as if the words were just syllables. As if sentences weren't made of words but of syllables.'

Description: 'Un metteur en ordre: Robert Bresson' is from a 1966 French television broadcast of 'Pour le Plaisir', a cultural television program. The phrase 'Un metteur en ordre' translates loosely to 'An Imposer of Order'. When you watch the program, you'll see that its title comes from the filmmaker's response to the interviewer's question: 'What's Robert Bresson's profession?' 　　This episode concentrates on 'Au Hasard Balthazar' and includes interviews with Robert Bresson, Jean-Luc Godard, Louis Malle, and members of the film's cast. Bresson explains the origin of the film's title, while his contemporaries describe their reactions to the film. Several extensive clips from the film are presented, after which Bresson and his cast members offer their opinions of the meaning or consequences of those scenes. 　　The heart of the program is an interview with Bresson, during which he talks specifically about this film. He also gives his ideas on filmmaking in general. For example, here's how he wants his performers to learn their dialogue: 'I ask them to learn their lines ignoring their meaning, as if they didn't have a meaning, as if the words were just syllables. As if sentences weren't made of words but of syllables.'

让人有些意外的欧美小清新爱情电影，影片讲述了两个美国大陆东西两端完全没有交集的陌生人之间的故事，两人不知为何被不可思议的力量联系在一起共享视觉听觉嗅觉等，当然最后相爱在一起了的爱情故事。

让人有些意外的欧美小清新爱情电影，影片讲述了两个美国大陆东西两端完全没有交集的陌生人之间的故事，两人不知为何被不可思议的力量联系在一起共享视觉听觉嗅觉等，当然最后相爱在一起了的爱情故事。

Many people criticize a film based on how close it relates and carries over from its novel or written form. 　　However, knowing up front that this film is NOT the book and dares to actually go in different directions than the book, may allow for a 　　viewer to be a bit more open about the point of the story and not necessarily the story itself. 　　I adore the novel. When the film came out I was crass about how much was omitted or changed or embellished. But then, several years later, I watched it again. I was amazed at how many of the unknown actors I'd seen before had become huge Hollywood staples (John Lithgow's amazing performance, Glenn Close, Robin Williams, Hume & Jessica, Mary Beth Hurt, the wonderful Swoosie Kurtz, the godess Amanda Plummer, 　　and even a cameo from John Irving himself!). 　　This film is alive with brilliant talent. And let's not forget the music as well. From the opening score of the Beatles, WHEN I'M 64 to the closing sounds of the helicopter, this films sountrack alone is worth drawing attention - simple, honest, pure. 　　There is magic in this film that makes it a timeless, yet period piece. 　　If the viewer compares it to the novel, there may be disappointment or disapproval. However, allowed to stand alone, this film will surely endear itself to any viewer's heart.